the body and the work both as object of effect and as affective subject-

(excerpt 2014) notes on the Eliot / Bales_ Historical exogesic_ in-depth analysis of dance “events” including specific dances; notation and music scores; accounts of performances; teaching styles; cultural and political movements; physical movements; dance theory; film; technological advances; makers and processes._ “exegesis that allows us to change our perception and relationship to what is already… Continue reading the body and the work both as object of effect and as affective subject-