i spend time naked. in my daily life. in my art. this is no different, though it very much is. today it is with kate sweeney and chip willis. it is a photo shoot. an easy, fun, remarkable shoot. the talent in each of these artists is more than i can shake my bits at.… Continue reading sex made you
Listening to the interviews I’ve collected. Transcribing, re-living, processing with new ideas. Imagine me as a tree growing lessons by the sun. Ra It’s like I’m tripping. Dripping. Over the last two years I've recorded dozens of people, different ages in different parts of the world discussing their ideas of “self/not-self”, “time”, and now a third question… Continue reading “touch a nerve?” (anonymous)
Bebe Miller Company residency at The Ohio State University 6.8.2016 : Morning session Observations (Part I): Today I observed most of the morning session of company rehearsal for a new collaboration called “The Making Room”. Collaborators not present at this residency include Susan Rethorst and Lily Skove; Christal Brown and Lila Hurwitz; Darrell… Continue reading Observing BMC
Turn off and write. Are you there? yes you ask everyitme and i am always. have you ever heard me ssay no? when you ask? no do you say no to asking? yes. and to typos... funny. now. listen and we'll type. slow down and see only what you see. this question of self and what… Continue reading What is ‘self ‘ ?
the following are notes on work by choreographers pina bausch, merce cunningham, and lin hwai-min, respectively. cafe muller notes: lights up on calf-searching - white flecks of slipgown movement. The windows and doors - the bang of the chairs. It is purposeful, even the misstep a redirection. It is tragic - how does one maintain interest? Why do we… Continue reading muddled notes on “Café Müller” with “Split Sides” and “Cursive II”
Cole G 