Time In | FEBRUARY 25, 2017 | 6-9PM | Cultural Arts Center, Columbus OH | mfa thesis TIME IN | FEBRUARY 25, 2017 | 6-9PM the premiere of 'Time In' is three weeks away, I'm going over three years of this project's process, excerpted here: rhrsl footage of justin and ella, audio interview with ali Time… Continue reading | Time In
ø More conversation has taken us on since then. And right now I think of time as the substance by which action can be perceived. Because Time feels to me like: the carved vessel / the act of its sculpting as well as the volume of space / the vibration therein. Twin Body - Different people form the line of my… Continue reading Bebe and a practice with Meg Stuart scores
"That one thing that I thought mattered, maybe it didn't matter. Or maybe it doesn't matter now." (Chip Willis 15Dec2016) (29December-13Jan, 2016) I had a vision years ago during a shaman trance. I was a golden hawk. I lifted you up near water from tall, green grass. You were a small, dark snake. Fast I flew with you, and… Continue reading I am Pan: the #
coda: 27Jan2017 last week I enter large, a door frame. the door is open, light is on. "what are you doing?" (I mean what is that, specifically) "working, cole.." a curt flush from behind the front of alaptoponadesk. annoyed but playful. i keep my large at the door and insert: "will you be my creative… Continue reading you sit on it
rings in my thinking. moves in my body. it bleeds me. i drip languid over a night. she lay, side by side. she wakes laying cry. Still there. He, a rough feminine. flinging in thoughts. running through a body. it bleeds a heart. i drip languid over a night. i lay, she. wake rough, so ready.… Continue reading the sacred feminine
now and last night. yes. i read something i hadn't read before. for some, this means their first time reading poetry for a crowd. what i mean is that i wrote it oct 8, 2015 (as the note was dated on my phone where it stayed) and then looked at it for the first time, more than… Continue reading when to say yes:
In 2013, I created a work for Columbus Moving Company's concert Off the Wall. Each dance maker's work began from a piece of visual art in the Pizzuti Collection. I chose Roberto Diago's "Untitled 2011" and developed a process. The process was originally performed under the title " " (that's nine spaces between… Continue reading Questions of “9 Spaces”
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