the eight settled down with their heads on the ground- and sound roared up from their ankles. knees move into space it has bent it again. space bent light. space is not one thing. consistently. its constitution of liquid flow, quaseous clouds, empty vessel. what empty? no. full. we cannot fit in. too dense it… Continue reading beat
the third nine looks back to the side flipped all the fires. any card (any thing that exists/object/idea/person/thing) does not exist alone, if we consider the empty; it is not even alone in its -ness maybe. 9wands third in after 2 rotating again. let's consider- 9 in relation to 8 and to 0 empty again.… Continue reading *all these wands*
look at it in the imagination and explain it so your choreographic process can understand you. ok. she is standing strong at a door. frame of a door. there are many doors. it is a stage. the world. the red door faces sr she is facing a door among blue and turquoise doors. the doors… Continue reading Choreograph as a way to get the image out of you
up and away the sky booms. we crawl from the roof like old baboons. limpid* souls. low and steady. in front of a storm to set a few. i find her. the rain is warm and we run through. we close all the doors. open certain windows, the rain blows round, full blooms. for every… Continue reading LIMPID | definition in the _ dictionary › limpid6 days ago — limpid meaning: 1. clear and transparent: 2. clearly expressed and easily understood: 3. clear and transparent: . Learn more.
_____________ after each breath i see a glimmer is it? maybe water it is a glow about it a light the sparkles; a glimmer and a crease in the fold a glimmer shining soft and bold more than before like i got up quick and must sit but not dizzy from it a glimmer is… Continue reading process notes excerpt, during participation at the Mind and Life Europe Summer Research Institute 2021
Time In | FEBRUARY 25, 2017 | 6-9PM | Cultural Arts Center, Columbus OH | mfa thesis TIME IN | FEBRUARY 25, 2017 | 6-9PM the premiere of 'Time In' is three weeks away, I'm going over three years of this project's process, excerpted here: rhrsl footage of justin and ella, audio interview with ali Time… Continue reading | Time In
ø More conversation has taken us on since then. And right now I think of time as the substance by which action can be perceived. Because Time feels to me like: the carved vessel / the act of its sculpting as well as the volume of space / the vibration therein. Twin Body - Different people form the line of my… Continue reading Bebe and a practice with Meg Stuart scores
Listening to people. Their lives. Walking home on Sunday I stop to talk to a man and his dog. We speak deeply, quickly. He brings up time and humanity which has me telling him about the interviews I’ve been collecting over the last few years. How the process is “unmooring me” as another friend has put… Continue reading walkeye and the time-being
rings in my thinking. moves in my body. it bleeds me. i drip languid over a night. she lay, side by side. she wakes laying cry. Still there. He, a rough feminine. flinging in thoughts. running through a body. it bleeds a heart. i drip languid over a night. i lay, she. wake rough, so ready.… Continue reading the sacred feminine
i spend time naked. in my daily life. in my art. this is no different, though it very much is. today it is with kate sweeney and chip willis. it is a photo shoot. an easy, fun, remarkable shoot. the talent in each of these artists is more than i can shake my bits at.… Continue reading sex made you
Listening to the interviews I’ve collected. Transcribing, re-living, processing with new ideas. Imagine me as a tree growing lessons by the sun. Ra It’s like I’m tripping. Dripping. Over the last two years I've recorded dozens of people, different ages in different parts of the world discussing their ideas of “self/not-self”, “time”, and now a third question… Continue reading “touch a nerve?” (anonymous)
Bebe Miller Company residency at The Ohio State University 6.8.2016 : Morning session Observations (Part I): Today I observed most of the morning session of company rehearsal for a new collaboration called “The Making Room”. Collaborators not present at this residency include Susan Rethorst and Lily Skove; Christal Brown and Lila Hurwitz; Darrell… Continue reading Observing BMC
Cole G 