| it seize them like a broken string stretched taught, and conditionally | conditions change. | a dream i had a year ago or so, that remains with me:i am waking from a nap having been up before the sun to do things. i live in a small, tall house with light linen curtains blowing… Continue reading the end came quick
change is perceived and we call it TIME. IMAGINE space is a plasma-like substance and TIME is the movement of mass which creates variable waves in all directions. waves create dimensions. whether planets, light or energy - mass is moving and changing. we observe it from our perspective. and so, OUR perspective is TIME. TIME… Continue reading what if gravity is not what we think?
first in site tag #AutoEthnography #ArchiveExcerpt for excerpts from my notebooks. The notebooks are a one-stop for my academic research | choreographic notes | poetry | meeting minutes | sketches | reflection | and dreams. The process of going through the last ten years of these is a ritual of burning things; making art of… Continue reading ae
jan 1, 2020 edit jan 18 i am not like i have ever been something different about every cell of being thoughts patterned turn off new bridges form a way to destiny leave it to be a person becoming shock and wave goodbye comes free light falls just so on the corner of me my… Continue reading details
Time In | FEBRUARY 25, 2017 | 6-9PM | Cultural Arts Center, Columbus OH | mfa thesis TIME IN | FEBRUARY 25, 2017 | 6-9PM the premiere of 'Time In' is three weeks away, I'm going over three years of this project's process, excerpted here: rhrsl footage of justin and ella, audio interview with ali Time… Continue reading | Time In
Listening to people. Their lives. Walking home on Sunday I stop to talk to a man and his dog. We speak deeply, quickly. He brings up time and humanity which has me telling him about the interviews I’ve been collecting over the last few years. How the process is “unmooring me” as another friend has put… Continue reading walkeye and the time-being
What I'm looking at is our place of perception. In that place you are moving. The place is also moving.
Listening to the interviews I’ve collected. Transcribing, re-living, processing with new ideas. Imagine me as a tree growing lessons by the sun. Ra It’s like I’m tripping. Dripping. Over the last two years I've recorded dozens of people, different ages in different parts of the world discussing their ideas of “self/not-self”, “time”, and now a third question… Continue reading “touch a nerve?” (anonymous)
Sometimes we feel a difference in the two. Sometimes we feel we have to choose. The only thing we have to fear, is fear of self. Fear itself does not exist without us. Fear does not have a self, it must use ours. Fear of self. darkness brightens light, consumed and the light deepens dark as it… Continue reading Artist or Healer?
Turn off and write. Are you there? yes you ask everyitme and i am always. have you ever heard me ssay no? when you ask? no do you say no to asking? yes. and to typos... funny. now. listen and we'll type. slow down and see only what you see. this question of self and what… Continue reading What is ‘self ‘ ?
a new dance. maybe it's called 'matches' justin fitch, jess gore, ray elder, ella hackworth, sheneese thompson, and orion and aries gore. sound by cast and ammanuel tekeste. i film in the middle if this dance. i leave the typo if here instead of of because i recently received a deep text that had… Continue reading MAtches
the following are notes on work by choreographers pina bausch, merce cunningham, and lin hwai-min, respectively. cafe muller notes: lights up on calf-searching - white flecks of slipgown movement. The windows and doors - the bang of the chairs. It is purposeful, even the misstep a redirection. It is tragic - how does one maintain interest? Why do we… Continue reading muddled notes on “Café Müller” with “Split Sides” and “Cursive II”